Services Edit · Colour · Motion · AI Remote & Cairo

From rushes to master.

Post-production for brands, artists, agencies and broadcasters. One editor carries the project from the first cut to final delivery — so the story, the colour and the finish all come from the same hand.

Start a project See the work
01 What I do Five desks
S—01Edit & story

Editing that
holds attention.

The cut decides whether anyone watches to the end. I build structure first, then rhythm and pace, then the moments that land — for commercials, programme promos, music videos, brand films and long-form, plus every vertical cut-down from the same timeline.

What you get

  • Story structure & rough cut
  • Fine cut with music and sound pass
  • Social cut-downs: 9:16, 1:1, 4:5
  • Subtitles & versioning

Best for

  • Commercials & brand films
  • Music videos
  • YouTube & long-form
  • Interviews & documentary
Premiere ProMulticamSound design
Al Ahly vs Barcelona — Promo
Al Ahly TV · Match promoEdit · Colour
S—02Broadcast promos

Promos built
for air.

I lead the promos team at Al Ahly TV, so this is daily work: programme intros, episode and guest promos, match and championship campaigns — on air-ready deadlines, to broadcast spec.

What you get

  • Programme & episode promos
  • Guest and talent spots
  • Campaign & tournament packages
  • Broadcast-safe masters

Best for

  • TV channels
  • Sports clubs & leagues
  • Shows & podcasts
  • Event campaigns
Premiere ProAfter EffectsResolve
Here Al Ahly
Here Al Ahly · Al Ahly TVAI programme promo
S—03Colour grading

A look that is
yours.

Shot matching across cameras, a look designed for the piece instead of a preset, and masters that hold up on broadcast, cinema screens and a phone in daylight. RAW, log or mixed sources — it all ends up in one film.

What you get

  • Shot matching & balance
  • Custom look development
  • Skin-tone and contrast control
  • Rec.709 / P3 deliverables

Best for

  • Music videos
  • Commercials
  • Short films
  • Mixed-camera projects
DaVinci Resolve StudioRec.709RAW / Log
Ungraded camera RAW frameFinal graded lookRAW · logFinal lookOpen the grading bench
Same frame, before / afterDaVinci Resolve Studio
S—04Motion & titles

Titles, logos
& clean-up.

Title sequences, logo reveals, lower thirds and animated graphics — plus the invisible work: tracking, paint-outs, screen replacements and compositing that make a shot clean.

What you get

  • Title & logo animation
  • Lower thirds & graphic packages
  • Tracking & screen replacement
  • Compositing & clean-up

Best for

  • Show openers
  • Brand identities
  • Ads & social
  • Event screens
After EffectsBlenderPhotoshop
SAS — Motion Graphics
SAS · 2D animationMotion design
S—05AI film production

Whole scenes,
no crew.

When a shoot isn’t possible, I direct it with AI: a shot-by-shot board, identity-locked characters so faces and wardrobe stay consistent, real camera language — then the same edit, grade and sound finish as live action.

What you get

  • Shotlist & storyboard
  • Identity-locked character sheets
  • Shot-by-shot generation
  • Edit, grade & sound finish

Best for

  • Promos & campaigns
  • Concept films
  • Product commercials
  • Pitch & previz
SeedanceNanoBananaHiggsfield
Handball — AI Promo
Handball — AI promo · Al Ahly TVAI film
02 How a project runs Brief → delivery
01

Brief

You send the idea, the footage or a reference. We agree on goal, length, formats and deadline.

02

Treatment

A short plan back: structure, music direction, look references and a schedule.

03

First cut

A complete first version — story and pacing locked before polish starts.

04

Review

Your notes, timecoded and clear, worked through in agreed revision rounds.

05

Finish

Colour, motion, sound and titles applied to the approved cut.

06

Delivery

Masters and every cut-down, named and versioned, ready to publish or air.

03 Deliverables Every ratio the campaign needs

Aspect ratios

16:9
9:16
1:1
4:5
2.39

Formats

  • ProRes / DNxHR masters
  • H.264 / H.265 web & social
  • Broadcast-spec files
  • Up to 4K delivery

Extras

  • Burned-in or SRT subtitles
  • Clean versions without text
  • Thumbnails & poster frames
  • Project archive on request
04 Questions Before we start
How do I send my footage?

Any cloud link works — Google Drive, Dropbox or WeTransfer. For large projects I’ll share a folder structure so rushes, music and references arrive organised.

How long does a project take?

It depends on length and scope. A promo or social ad is usually a matter of days; music videos, long-form and AI films take longer. You get a schedule with the treatment before work starts.

How are revisions handled?

Revision rounds are agreed in the brief. Timecoded notes keep each round fast and clear.

How is a project priced?

Every project is quoted from the brief — length, number of versions, colour and motion needs, and deadline. Send the details and you’ll get a clear quote back.

Can you work with AI-generated and live footage together?

Yes — that’s a core part of the work. AI shots are matched and graded with the live footage so the result plays as one film.

Do you work with international clients?

Yes. I work remotely with clients worldwide, directly or through Upwork, in English and Arabic.

Trusted byAl Ahly TVCommand S StudioThe Door Production HouseMICO Sense TV
00:03:52:00 Last frame Available for commissions

Send me the
footage.

Brief, rushes, a rough board or a one-line idea — any of them is a starting point. You get a treatment and a schedule back before anything gets cut.

Emailinfo@luxencut.com WhatsAppDirect line UpworkHire through the platform